
Review: Sneaks – ‘Highway Hypnosis’ (Merge Records)
Eva Moolchan’s musical career until now as Sneaks would feel positively hyperactive if it wasn’t bound by her droll vocal…
Eva Moolchan’s musical career until now as Sneaks would feel positively hyperactive if it wasn’t bound by her droll vocal…
The contradictory fallacy of aspiring to your peers whilst simultaneously striving to exist outside of their shadow is part and…
Owing his artist name to West Bromwich’s famous touring car, the Jensen Interceptor, Mikey Melas’ output certainly bears similar traits…
Sometimes when a producer steps out of their comfort zone they end up making some of their best work, or…
After five studio albums your average musical outfit will naturally have settled into a groove. Any contrarian impulses to pull…
Bryan Müller belongs to a rare cult of producers who were excelling before they could legally enter a nightclub. As…
There is perhaps nothing more typecast than saying that an album “takes you on a journey”, but that’s exactly what…
The opening scene to Ingmar Bergman’s 1966 film, Persona, shows a series of unrelated and fragmented images: a running filmstrip,…
Nils Frahm’s creative output has been defined thus far by a handful of distinctive qualities: a penchant for sounds that…
Collaboration is never easy, especially between established artists with their own distinctive musical personalities. The process often yields mixed results; the…
There is a blatant maturity in the Lewisham producer’s largest body of work yet.
Seemingly more subdued and self-analytical than his Soul Food mixtapes, this release is a commendable attempt at a grime LP.