Label focus: Melody As Truth
2014 was a big year for Jonny Nash, he recorded the album Clouds over two days with fellow ambient producers…
EPs
Review: Sync 24 & Jensen Interceptor – ‘Code Three’ (Propaganda Moscow)
Two producers at the peak of their game team up for a monster four tracker. The thought of Phil Bolland…
Review: Octa Octa ‘For Lovers’ (Technicolour Records)
Having already established herself in house music, Octa Octa’s new EP, For Lovers, is one of those rare releases that…
Review: Claudia Anderson ‘Synthesis’ (Tresor)
Having regularly toured big-name clubs across Europe since 2015 and becoming Tresor resident in 2017, Claudia Anderson’s career as a…
Review: Lemna – ‘Figure and Ground’ (Sacred Court)
Around five years ago, a clutch of producers began exploring one of the most exciting ruptures in the dance music…
Review: Randomer – ‘Headstrong 002’ (Headstrong)
The North London talisman delivers four tracks of furious techno. Rohan Walder’s output is consistent in a number of ways….
Review: Vield – Invineti EP (Mechatronica)
Mechatronica is quickly establishing itself as one of the premiere labels promoting modern electro, gaining a buy-on-sight reputation amongst DJs…
Review : Phase Fatale – ‘Reverse Fall’ (Ostgut Ton)
J.G. Ballard’s Crash is a jarring insight into car-crash sexual fetishism. The controversial novel is a central inspiration for Hayden Payne,…
Review : Conforce – ‘Terra Modis’ (Delsin)
Borris Bunnik is constantly producing. He’s put out over twenty records in the last ten years under his Conforce moniker,…
Review : Ploy – ‘Ramos’ (Timedance)
Sam Smith is on a roll at the moment. As Ploy he’s released on Hessle Audio, Timedance and Hemlock, three…
Record of The Week: Björk – Arisen My Senses (Remixes)
Björk’s “Utopia” was a sweeping and beatific vision, a rapturous excursion into her own inner utopia, a sensuous world replete…
Record of the Week: Gantz – Dying on Acid
Deep Medi are bringing us headlong into the new year with some of the most leftfield electronica they’ve released to…