
Review: Black Square – Beggars Opera (Blind Colour)
Black Square’s ‘Beggars Opera’ is euphonically distinct. Since his emergence, Black Square has presented a diverse catalogue of work. Despite…
Black Square’s ‘Beggars Opera’ is euphonically distinct. Since his emergence, Black Square has presented a diverse catalogue of work. Despite…
For a producer, 10 years accumulates to an awful lot of plugging sequences into drum machines, twisting knobs and flicking…
Walton returns to Madam X’s Kaizen with a no-nonsense showcase of moody, bass-laden club cuts. With an indisputable body of…
2014 was a big year for Jonny Nash, he recorded the album Clouds over two days with fellow ambient producers…
The North London talisman delivers four tracks of furious techno. Rohan Walder’s output is consistent in a number of ways….
Fleeting from the roaring speed of death metal to the creak of nervous utterances that peep through the fog to…
Mechatronica is quickly establishing itself as one of the premiere labels promoting modern electro, gaining a buy-on-sight reputation amongst DJs…
Gottwood Festival is very much a festival of two halves. By day the mystical woods of the Carreglwyd estate fill…
Bryan Müller belongs to a rare cult of producers who were excelling before they could legally enter a nightclub. As…
The opening scene to Ingmar Bergman’s 1966 film, Persona, shows a series of unrelated and fragmented images: a running filmstrip,…
Björk’s “Utopia” was a sweeping and beatific vision, a rapturous excursion into her own inner utopia, a sensuous world replete…
The best bands to discover are usually the new ones that are just getting off the ground, or at least…