Afterthoughts: Alva Noto & Ryuichi Sakamoto: TWO
Ryuichi Sakamoto and Alva Noto first collaborated on the 2002 record Vrioon, a subdued collection of minimalist electronic vignettes built…
Ivy Lab: 20/20 Vision
Gove Kidao and J. Fogel were initially brought together by a shared affinity for music that hovers on the fringes…
Afterthoughts: Max Richter, Kaitlyn Aurelia Smith & Jlin at The Barbican
Max Richter’s “Sounds & Visions” festival is a four-day event and “creative environment” co-curated by the composer alongside his partner…
Record of The Week: Björk – Arisen My Senses (Remixes)
Björk’s “Utopia” was a sweeping and beatific vision, a rapturous excursion into her own inner utopia, a sensuous world replete…
Record of the Week: Blue 01 – Tessela / Lanark Artefax (Whities)
The latest heat coming in from the ever-experimental Whities camp, a Young Turks offshoot headed up by by NTS DJ and…
Review: Rezzett – ‘Rezzett’ (The Trilogy Tapes)
Rezzett’s music sounds like someone took the blueprints for techno and ran them through a broken industrial shredder. The texture…
Afterthoughts: Nils Frahm live at the Barbican
Nils Frahm’s music is not known for its good humour. Moving from delicate, softly intoned piano studies to sweepingly ambient…
Review: Nils Frahm – ‘All Melody’
Nils Frahm’s creative output has been defined thus far by a handful of distinctive qualities: a penchant for sounds that…
Review: Mika Vainio, Ryoji Ikeda & Alva Noto – Live 2002
Collaboration is never easy, especially between established artists with their own distinctive musical personalities. The process often yields mixed results; the…
Record of the Week: Gantz – Dying on Acid
Deep Medi are bringing us headlong into the new year with some of the most leftfield electronica they’ve released to…
Afterthoughts: Unsound Dislocation
The minds behind Poland’s Unsound have a reputation for bringing together visionary artists working at the forefront of experimentalism. The…
Review: Terekke – ‘Plant Age’
Terekke’s location is currently listed on Bandcamp as ‘The Bahamas’, and after listening to his recent LP Plant Age, it…
Ivy Lab: 20/20 Vision
Gove Kidao and J. Fogel were initially brought together by a shared affinity for music that hovers on the fringes…
Afterthoughts: Max Richter, Kaitlyn Aurelia Smith & Jlin at The Barbican
Max Richter’s “Sounds & Visions” festival is a four-day event and “creative environment” co-curated by the composer alongside his partner…
Record of The Week: Björk – Arisen My Senses (Remixes)
Björk’s “Utopia” was a sweeping and beatific vision, a rapturous excursion into her own inner utopia, a sensuous world replete…
Record of the Week: Blue 01 – Tessela / Lanark Artefax (Whities)
The latest heat coming in from the ever-experimental Whities camp, a Young Turks offshoot headed up by by NTS DJ and…
Review: Rezzett – ‘Rezzett’ (The Trilogy Tapes)
Rezzett’s music sounds like someone took the blueprints for techno and ran them through a broken industrial shredder. The texture…
Afterthoughts: Nils Frahm live at the Barbican
Nils Frahm’s music is not known for its good humour. Moving from delicate, softly intoned piano studies to sweepingly ambient…
Review: Nils Frahm – ‘All Melody’
Nils Frahm’s creative output has been defined thus far by a handful of distinctive qualities: a penchant for sounds that…
Review: Mika Vainio, Ryoji Ikeda & Alva Noto – Live 2002
Collaboration is never easy, especially between established artists with their own distinctive musical personalities. The process often yields mixed results; the…
Record of the Week: Gantz – Dying on Acid
Deep Medi are bringing us headlong into the new year with some of the most leftfield electronica they’ve released to…
Afterthoughts: Unsound Dislocation
The minds behind Poland’s Unsound have a reputation for bringing together visionary artists working at the forefront of experimentalism. The…
Review: Terekke – ‘Plant Age’
Terekke’s location is currently listed on Bandcamp as ‘The Bahamas’, and after listening to his recent LP Plant Age, it…