Review: Ara-U – Black Hole EP (No Static/Automatic)
For fans of tripped-out, space-tumbling, galactic-glazed robo-funk, this is a must. It’s always exciting when a new label pops up…
Gigi FM: In Conversation
The eccentric star talks rave parents, dance and synaesthesia… For as long as music has been an artform, expression has been…
Review: Kilig – Cry EP (null+void)
For fans of leftfield electronics and quirky electro, null+void is an imprint that has consistently whet the appetite with its…
Review: Derailleur – Hydraulic Performer (Decade Box)
For a producer, 10 years accumulates to an awful lot of plugging sequences into drum machines, twisting knobs and flicking…
Afterthoughts: No Bounds Festival 2019
Boasting a variety of non-music events, workshops and talks, it’s clear that No Bounds is more than just a music…
Review: DVS NME – Trans Asia Express (Self-released)
Trans-Asia Express marks the 808-enthusiast’s first release in over five years. Over the past decade, few can claim to have devoted…
Paleman: Studio Talk
Rhythm courses through the veins of Callum Lee. Long before establishing a global reputation for his dynamic, authoritative performances as…
Review: PERA STA ORI – Iskios EP (Yellow Machines)
Four hybrid compositions break Yellow Machines’ five year silence. It’s been 5 years since Yellow Machines last released an EP….
Approach and Inspiration: An Interview with Laksa
There’s something about the current breed of producer channeling the murky, bass-heavy techno synonymous with the UK. Sewing together elements…
Review: Sync 24 & Jensen Interceptor – ‘Code Three’ (Propaganda Moscow)
Two producers at the peak of their game team up for a monster four tracker. The thought of Phil Bolland…
First Listen: SC-164 – ‘Walker’s Rights’ (Subapical)
London-based label Subapical has carved out a hardnose, gritty aesthetic with its minimal artwork and mechanical releases. Blurring the lines…
Gigi FM: In Conversation
The eccentric star talks rave parents, dance and synaesthesia… For as long as music has been an artform, expression has been…
Review: Kilig – Cry EP (null+void)
For fans of leftfield electronics and quirky electro, null+void is an imprint that has consistently whet the appetite with its…
Review: Derailleur – Hydraulic Performer (Decade Box)
For a producer, 10 years accumulates to an awful lot of plugging sequences into drum machines, twisting knobs and flicking…
Afterthoughts: No Bounds Festival 2019
Boasting a variety of non-music events, workshops and talks, it’s clear that No Bounds is more than just a music…
Review: DVS NME – Trans Asia Express (Self-released)
Trans-Asia Express marks the 808-enthusiast’s first release in over five years. Over the past decade, few can claim to have devoted…
Paleman: Studio Talk
Rhythm courses through the veins of Callum Lee. Long before establishing a global reputation for his dynamic, authoritative performances as…
Review: PERA STA ORI – Iskios EP (Yellow Machines)
Four hybrid compositions break Yellow Machines’ five year silence. It’s been 5 years since Yellow Machines last released an EP….
Approach and Inspiration: An Interview with Laksa
There’s something about the current breed of producer channeling the murky, bass-heavy techno synonymous with the UK. Sewing together elements…
Review: Sync 24 & Jensen Interceptor – ‘Code Three’ (Propaganda Moscow)
Two producers at the peak of their game team up for a monster four tracker. The thought of Phil Bolland…
First Listen: SC-164 – ‘Walker’s Rights’ (Subapical)
London-based label Subapical has carved out a hardnose, gritty aesthetic with its minimal artwork and mechanical releases. Blurring the lines…