Review: Lukid – ‘Drip’ (Arcola)
Lukid comes from the school of electronic music that appear fated to be dogged by references to their lack of…
Deena Abdelwahed: In Conversation
Halfway through my interview with Tunisian techno artist Deena Abdelwahed she stops me briefly to correct me on my my…
Djrum: In Conversation
There’s something pointedly evocative about the weather as I sit down to call Felix Manuel. The slow rolling morning mist…
Review: Sneaks – ‘Highway Hypnosis’ (Merge Records)
Eva Moolchan’s musical career until now as Sneaks would feel positively hyperactive if it wasn’t bound by her droll vocal…
Review: Objekt – ‘Cocoon Crush’ (PAN)
The contradictory fallacy of aspiring to your peers whilst simultaneously striving to exist outside of their shadow is part and…
Byron The Aquarius: Anachronistic futurist
In many ways Byron’s phone conduct is reminiscent of jazz. He freewheels between ideas without ever losing sight of the…
Review: Björk – Utopia
Björk is an artist defined by her singularity, acting as a well of artistic inspiration that her peers are practically…
Deena Abdelwahed: In Conversation
Halfway through my interview with Tunisian techno artist Deena Abdelwahed she stops me briefly to correct me on my my…
Djrum: In Conversation
There’s something pointedly evocative about the weather as I sit down to call Felix Manuel. The slow rolling morning mist…
Review: Sneaks – ‘Highway Hypnosis’ (Merge Records)
Eva Moolchan’s musical career until now as Sneaks would feel positively hyperactive if it wasn’t bound by her droll vocal…
Review: Objekt – ‘Cocoon Crush’ (PAN)
The contradictory fallacy of aspiring to your peers whilst simultaneously striving to exist outside of their shadow is part and…
Byron The Aquarius: Anachronistic futurist
In many ways Byron’s phone conduct is reminiscent of jazz. He freewheels between ideas without ever losing sight of the…
Review: Björk – Utopia
Björk is an artist defined by her singularity, acting as a well of artistic inspiration that her peers are practically…